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Course Unit Title | Course Unit Code | Type of Course Unit | Level of Course Unit | Year of Study | Semester | ECTS Credits |
---|---|---|---|---|---|---|
The Theory and Solfege of Classical Turkish Music I | KTM010 | Compulsory | Bachelor's degree | 1 | Fall | 4 |
Prof. Dr. Sühan İRDEN
Lecturer Nurten YILMAZ
1) Knows the quartets and quintets and other quartets and quintets, as well as the Principal Makams and Principal Terkibs, which are used to form the makams in the Turkish Music sound system. Can read solfeggios of these.
2) This can write these quartets and fifths, Principal Maqams and Principal Terkîbs in different pitches (transposition) outside her own place.
3) This can hear these quadruplets and fifths, the Principal Maqams and the Principal Terkibs.
Program Competencies | ||||||
1 | 2 | 3 | 4 | 5 | ||
Learning Outcomes | ||||||
1 | High | High | High | High | High | |
2 | No relation | No relation | No relation | No relation | No relation | |
3 | No relation | No relation | No relation | No relation | No relation |
Face to Face
None
Not Required
Solfeggio works belonging to the main makam and main terkib melodies in the Turkish Music sound system are sung in double, triple, quadruple and quintet intervals. These exercises are repeated on different pitches. Attendance to class is essential.
1- Bona ve müzik teorisi notları, Vicdan Tabakoğlu
2- Türk Musikisi Solfej Metodu, Ahmet Hatipoğlu
3- Türk Musıkisinde Düzen Perde Makam Terkib Uygulamaları, Sühan İrden
4- Makamlar Maqams, Sühan İrden
5- Türk Halk Müziğinde Makamlar ve Terkibler, Sühan İrden
1) Lecture
2) Lecture
3) Lecture
4) Question-Answer
5) Discussion
6) Discussion
7) Discussion
8) Drill and Practice
9) Group Study
10) Group Study
11) Group Study
12) Simulation
13) Simulation
14) Brain Storming
15) Brain Storming
16) Brain Storming
17) Self Study
18) Self Study
19) Self Study
Contribution of Midterm Examination to Course Grade |
30% |
---|---|
Contribution of Final Examination to Course Grade |
70% |
Total |
100% |
Turkish
Not Required