| Course Unit Title | Course Unit Code | Type of Course Unit | Level of Course Unit | Year of Study | Semester | ECTS Credits |
|---|---|---|---|---|---|---|
| Auteur Cinema | RTS331 | Elective | Bachelor's degree | 3 | Fall | 5 |
Name of Lecturer(s)
Associate Prof. Dr. Dilek ÖZHAN KOÇAK
Associate Prof. Dr. Özgür VELİOĞLU METİN
Learning Outcomes of the Course Unit
1) Learns the concepts and theory of auteur cinema.
2) Knows that the director is the creator of the film and the director’s language and style is unique.
3) Understands the importance of contribution of the intellectual acumulation and personality structure of director.
4) Recognizes the films of the Auteur directors from the others.
5) Analysis the film with the common language of the director.
6) Knows the relationship between the studio system and autheur and knows the difference.
Program Competencies-Learning Outcomes Relation
| Program Competencies | ||||||||||||||||
| 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | ||
| Learning Outcomes | ||||||||||||||||
| 1 | Low | No relation | Low | No relation | No relation | No relation | No relation | No relation | Middle | Low | No relation | No relation | No relation | Low | High | |
| 2 | Low | No relation | Low | No relation | No relation | No relation | No relation | No relation | No relation | High | No relation | No relation | No relation | Low | High | |
| 3 | Low | No relation | Low | No relation | No relation | No relation | No relation | No relation | No relation | Middle | No relation | No relation | No relation | Low | High | |
| 4 | Low | No relation | Low | No relation | No relation | No relation | No relation | No relation | No relation | High | No relation | No relation | No relation | Low | High | |
| 5 | Low | No relation | Low | No relation | No relation | No relation | No relation | No relation | No relation | High | No relation | No relation | No relation | Low | High | |
| 6 | Low | No relation | Low | No relation | No relation | No relation | No relation | No relation | No relation | High | No relation | No relation | No relation | Low | High | |
Mode of Delivery
Face to Face
Prerequisites and Co-Requisites
None
Recommended Optional Programme Components
None
Course Contents
Within the framework of the concept and theory of the course of world cinema's leading auteur cinema auteur directors and films will be examined. Important directors and films in cinema history, as well as auteur directors who have made contributions to the development of their national cinemas in the course are included in the scope.
Weekly Schedule
1) The concept of film directing and Auteur Theory.2) Federico Fellini and P. Paolo Passolini as auteur and “Amarcord” movie. (İtaly)
3) Emir Kusturica as auteur and the “Time of Gypsies” movie. (Yugoslavia-Serbia)
4) Wong Kar Wai as auteur and “In The Mood For Love” movie. (Hong Kong)
5) Pedro Almodovar as auteur and “Talk To Her” movie. (Spain)
6) Stanley Kubrick as auteur and “Clockwork Orange” movie. (A.B.D.)
7) Michael Haneke as auteur and “Cache” movie. (Austria)
8) Mid-Term Exam
9) Lars Von Trier as auteur and “Dogville” movie. (Danimarka)
10) Abbas Kiarostami as auteur and “Where is The Friend’s Home” movie. (İran)
11) Kim Ki Duk as auteur and “3-Iron” movie. (Güney Kore)
12) Fatih Akın Sineması ve “Duvara Karşı” filmi. (Almanya-Türkiye)
13) Nuri Bilge Ceylan as auteur and “Mayıs Sıkıntısı” movie. (Turkey)
14) Zeki Demirkubuz as auteur and “Masumiyet” movie. (Turkey)
15) Reha Erdem as auteur and “Kosmos” movie. (Turkey)
16) Final Exam
Recommended or Required Reading
1- Büker, Seçil (1996). “Auteur Kuram Üzerine.” Film Dili: Kuramsal ve Eleştirel Yaklaşımlar. İstanbul: Kavram. 158-166.
2- Büker, S. and Topçu, G. (2008). Auteur Kurama Giriş. Sinema: Tarih, Kuram, Eleştiri (içinde). Ankara: Gazi Üniversitesi İletişim Fakültesi Yayınları. 312-316.
3- Kuyucak Esen, Şükran (2002). “Sinemamızda Bir ‘Auteur’ Ömer Kavur”. Alfa Basım Yayım Dağıtım.
4- Avrupalı Yönetmenler, Kitle Yayınları, 1997, Ankara.
5- Maule, Rosanna. (2008) “Beyond auteurism new directions in authorial film practices in France, Italy and Spain since the 1980s”. Bristol, UK ; Chicago, USA : Intellect.
6- Dünya Sinema Tarihi, Geoffrey Nowell Smith , çev. Ahmet Fethi, Kabalcı Yayınları, İstanbul, 2008.
Planned Learning Activities and Teaching Methods
1) Lecture
2) Question-Answer
3) Discussion
4) Demonstration
Assessment Methods and Criteria
Contribution of Midterm Examination to Course Grade |
40% |
|---|---|
Contribution of Final Examination to Course Grade |
60% |
Total |
100% |
Language of Instruction
Turkish
Work Placement(s)
Not Required