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Course Unit Title | Course Unit Code | Type of Course Unit | Level of Course Unit | Year of Study | Semester | ECTS Credits |
---|---|---|---|---|---|---|
World Cinema | RTS312 | Elective | Bachelor's degree | 3 | Spring | 5 |
Associate Prof. Dr. Özgür VELİOĞLU METİN
1) Explain the current position of European cinema.
2) Explain the importance of Euromages for European cinema.
3) Explain the dynamics of the former eastern bloc countries, affecting cinema.
4) List the sources of Far East cinema is fed.
5) Analyze the prominent basic concepts and themes in Latin American cinema.
6) Exlpain Iranian cinema with the country's social, economic and political position.
7) Comment on prominent tendencies in New American cinema.
8) Recognize prominent directors from various country and regional cinemas.
Program Competencies | ||||||||||||||||
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | ||
Learning Outcomes | ||||||||||||||||
1 | Middle | No relation | Low | No relation | No relation | No relation | No relation | No relation | No relation | No relation | No relation | No relation | No relation | Low | High | |
2 | Low | No relation | Low | No relation | No relation | No relation | No relation | No relation | No relation | No relation | No relation | No relation | No relation | Middle | High | |
3 | Low | No relation | Low | No relation | No relation | No relation | No relation | No relation | No relation | No relation | No relation | No relation | No relation | Low | Middle | |
4 | Low | No relation | Low | No relation | No relation | No relation | No relation | No relation | No relation | No relation | No relation | No relation | No relation | Low | Middle | |
5 | Low | No relation | Low | No relation | No relation | No relation | No relation | No relation | No relation | No relation | No relation | No relation | No relation | Low | Middle | |
6 | Low | No relation | Low | No relation | No relation | No relation | No relation | No relation | No relation | No relation | No relation | No relation | No relation | Low | Middle | |
7 | Low | No relation | Low | No relation | No relation | No relation | No relation | No relation | No relation | No relation | No relation | No relation | No relation | Low | Middle | |
8 | Low | No relation | Low | No relation | No relation | No relation | No relation | No relation | No relation | No relation | No relation | No relation | No relation | Low | Middle |
Face to Face
None
None
Documentary films definitions, the relationship between reality-fiction, Vertov and cine-eye, Flaherty, Grierson, ethnographic films, propaganda documentaries, cinema verite, direct cinema, oral history and documentary films, documentary cinema styles Exhibitor, observational, interactive and thinkingl style; documentary cinema new tendencies; documentary films in Turkey.
1- Kutay, Uğur (2009). Gerçeği Öldüren Kamera: Belgesel. İstanbul: Es.
2- Akbulut, Hasan (2010). “Bellek Olarak Belgesel Sinema: Son Dönem Türkiye Belgesel Sinemasına Bir Bakış”, sinecine: film araştırmaları dergisi (2).
3- Barnauw, Eric (1993). Documentary: A History of the Non-fiction Film. New York, Oxford: Oxford University Press.
4- Büker, Seçil (1990). “Belgesel Üzerine”, Kurgu (7): 121-126.
5- Binark, Mutlu (1990-91). “Belgesel Yapımcısı- Gerçek İlişkisi, Tarihsel Bir Perspektif ve Belgeselde Amaç Üzerine Deneme”, Gazi Ü. BYYO Dergisi (11): 133-140.
6- Atabey, Melek (2005). “Belgesel Film Yapımında Yeni Yönelimler ve Melez Formlar”, Ege Üniversitesi, İletişim Fakültesi Dergisi, Düşünceler, Yıl: 1 (1): 217-228.
7- Ulutak, Nazmi (2007). “Bir Sözlü Tarih Denemesi”, Belgesel Sinema 2007. İstanbul: Belgesel Sinemacılar Birliği Yay.
8- Etnoğrafya ve Belgesel Filmler Sempozyumu. 11-13 Nisan 1973. İstanbul: Avusturya Kültür Yayınları.
9- Pekerman, Serazer (2005). “Moore, Sinema Kapılarını Belgesel Filme Açtı: Popüler Protestolar,” Seyir (2): 13-15.
10- Cereci, Sedat (1997). Belgesel Film. İstanbul: Şule.
11- Rotha, Paul (2000). Belgesel Sinema. Çev. İ. Şener. İstanbul: İzdüşüm.
Tobias, Michael (2007). Belgesel Film Yapım Sanatı: Gerçeği Arayış. Çev. Nebil Köken. İ
12- stanbul: Kolaj.
BSB (2007). Belgesel Sinema 2007. İstanbul: Belgesel Sinemacılar Birliği Yay.
Yeni İnsan Yeni Sinema (Bahar-Yaz 2003). Belgeselden Toplumsal Belleği (ss32-55).
Özdemir, Murad (2003). Düğün Videoları: Geçmişe Dönmek için Kaseti Geri Sar,” Belgesel Sinema, Kış: 35-39.
13- Ulutak, İlknur (2003). “Leni Riefenstahl’ın Muhteşem ve Korkunç Filmleri,” Belgesel Sinema, İlkbahar-Yaz: 28-38.
14- Sönmez, Necati (2003). “Michael Moore ve Belgeselin Kükreyişi,” Belgesel Sinema, İlkbahar-Yaz: 8-10.
1) Lecture
2) Question-Answer
3) Discussion
4) Group Study
5) Problem Solving
Contribution of Midterm Examination to Course Grade |
40% |
---|---|
Contribution of Final Examination to Course Grade |
60% |
Total |
100% |
Turkish
Not Required